On this occasion Kendra's Chairman S. K. Monga, Senior Vice Chairman Prof. Arun Grover, SNA Awardee Guru Dr. Shobha Koser, Secretary Sajal Koser and additional registrar Dr. Samira Koser were also present
The evening's principal artist, Padma Shri awardee and Guinness World Record holder Pandit Ronu Majumdar, is regarded as one of India's most distinguished flautists. Widely credited with popularizing the flute across generations and continents, he is celebrated as a "style-maker" who developed a distinctive approach to raga presentation. His style seamlessly blends the aesthetics of Dhrupad gayaki with intricate rhythmic patterns (layakari), thereby establishing the flute as a leading instrument in both contemporary Indian classical and popular music. The legendary American musician Ry Cooder once described him as the "Dr. Feelgood of the Indian Flute," reflecting his global acclaim.
Accompanying him on the tabla was the celebrated Banaras Gharana maestro Pandit Kumar Bose, who received his training from his father Acharya Vishwanath Bose and the legendary tabla virtuoso Pandit Kishan Maharaj. Renowned for his clarity, depth, and rhythmic sophistication, Pandit Bose is equally admired as a solo performer and an accompanist. His dynamic and sensitive accompaniment added remarkable energy and depth to the flute recital.
In the opening segment of the evening, Pandit Ronu Majumdar commenced his performance with Raga Jayjaywanti, elaborating the raga through alap, bandishes, and a variety of gats. He further captivated the audience with compositions in Raga Hansadhwani, where the distinct imprint of the gayaki ang in his flute playing transported listeners into a realm of deep emotional resonance. His presentation of Dhamar received enthusiastic applause from the audience, and he concluded his recital with a beautiful Kajri, leaving the entire auditorium resonating with the soulful and melodious sounds of his flute. Pandit Kumar Bose's deft and expressive tabla accompaniment enhanced the musical experience and created a magical atmosphere in the hall.
The second segment of the evening featured a spectacular tabla jugalbandi by the father–son duo Pandit Nayan Ghosh and Ishaan Ghosh. Pandit Nayan Ghosh—an extraordinary artist equally accomplished in tabla and sitar—is widely regarded as a "walking encyclopedia" of Indian music. The son and disciple of Padma Bhushan Pandit Nikhil Ghosh and nephew of the legendary flautist Pannalal Ghosh, he has enthralled audiences across Europe, the Americas, Canada, Asia, and Australia during his illustrious career spanning nearly six decades.
Ishaan Ghosh, a gifted young tabla virtuoso and the grandson of Pandit Nikhil Ghosh, has emerged as a powerful soloist as well as a sensitive accompanist. Having trained rigorously since childhood, he has shared the stage with several eminent musicians, including Pandit Jasraj, Ustad Amjad Ali Khan, and Pandit Ronu Majumdar.
Presented in Teentaal, their exhilarating jugalbandi showcased a rich repertoire including uthan, alap, gat, kaydas, and relas. The rhythmic dialogue between the two artists, marked by remarkable coordination and spontaneity, earned them resounding applause from the audience. Accompanying them on the sarangi was the acclaimed musician Sabir Khan of the Sikar Gharana, son of Padma Bhushan Ustad Sultan Khan and grandson of Ustad Gulab Khan. His soulful accompaniment added further depth and colour to the performance, leaving the audience deeply enthralled.
At the conclusion of the evening, the distinguished guests felicitated the performing artists. Kendra Secretary Sajal Koser expressed heartfelt gratitude to the media, the audience, the artists, and the organizing team for their invaluable support in making the conference a grand success.
With this memorable musical evening, the 55th All India Bhaskar Rao Dance and Music Sammelan came to a splendid close, earning appreciation and congratulations for the organizers for presenting yet another remarkable celebration of Indian classical arts.
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